Samsung Digital Camera

Samsung NX Series

The new Samsung NX Series takes the hybrid cameras (read: no mirror box) to a new level. This is something that we’ve seen coming for a while. The new NX series will feature the larger, APS-C sensors which are prominent in consumer-grade DSLRs. However, the NX series loses the mirror box and offers an electronic viewfinder, much like the Olympus E-series cameras.

Note, however, that APS-C sensors, presumably the same as the 1.5x crop sensors in current Samsung DSLRs, are larger than the 2x crop sensors in Olympus cameras. Samsung has been aiming high for the past couple years, but has yet to wow us with a killer product. Samsung is now banking on these hybrid cameras to put its stamp on the industry. Details are slim at this point; however, I will be stopping by Samsung’s booth at PMA 2009 tomorrow to try and get more info.

PRESS RELEASE

SEOUL, KOREA - March 2, 2009 - Samsung Digital Imaging Co., Ltd. used PMA 2009 as the global launching pad for the NX Series, the company’s revolutionary new family of hybrid digital cameras. A new concept digital camera, the NX Series offers the performance and image quality of a DSLR and the portability and convenience of a compact point-and-shoot. With the NX Series, Samsung will become a global leader in the new hybrid market.

Samsung’s new NX Series bridges the gap between a DSLR and compact point-and-shoot digital camera by combining the benefits of both in one new model. Like conventional DSLRs, the NX Series utilizes an APS‑C sized image sensor providing a much larger surface area to gather light and produce higher-quality images than comparable digital camera systems. Unlike a DSLR, the NX Series does not feature a mirror box and employs an ultra-precise Electronic Viewfinder (EVF). The use of an EVF has allowed Samsung engineers to significantly reduce the size and weight of the new camera system by decreasing the distance between the lens and image sensor (flange back) by approximately 60% compared to traditional DSLRs. In addition to utilizing the EVF, consumers can also take advantage of the camera’s Live View functionality to frame their shots on the NX Series’ high‑resolution screen.

Samsung has recently intensified its focus on the digital imaging market and established a separate company dedicated exclusively to digital imaging in Samsung Digital Imaging Company. The new company was formed to focus on the development of its digital still cameras around world’s first and best in class features, design, and easy-to-use interfaces, and will work towards achieving the company’s stated goal of becoming the world’s leading digital imaging company.

“We estimate that the hybrid digital camera market will be over 20% of the global digital still camera market by 2012,” said Sang-jin Park, CEO of Samsung Digital Imaging Company. “With the release of the NX Series, a digital camera that combines the strengths of a DSLR and compact digital camera, Samsung Digital Imaging will become a global leader in the new hybrid digital camera market and achieve the company’s goal to become the global leader in the digital camera market by 2012.”

Samsung Digital Imaging Company also creates a much more efficient vertical alignment between related Samsung affiliate business units including semiconductor, LCD panel and consumer electronics. This new vertical alignment will create competitive advantages for Samsung by fostering greater collaboration between Samsung affiliate business units and allowing the company to develop and deliver highly-innovative digital imaging products that set the standard for the industry, including the newly unveiled NX Series.

The first model of NX Series will be available in the second-half of 2009.

source:photographybay.com

Olympus Cameras

Olympus Stylus Tough-8000 Camera Review

The Olympus Stylus Tough-8000 looks like a tank – especially with its stainless-steel case (appropriately enough, black and blue bodies are also available). The camera looks strong, with metal edges and screws that look like bolts scattered on the front, and feel just as sturdy thanks to some nice heft. It camera measures 3.7 x 2.4 x .85 (W x H x D, in inches), and weighs 7.4 ounces with battery and card in place.

The lens, which is a nice wide-angle 3.6x zoom rated 28-102mm, does not extend from the body when you power up. A metal lens cover slides up or down so the camera can confront the elements. And, boy, can it do just that. The Tough-8000 can handle a drop of 6.6 feet, go 33 feet underwater, withstand 220 pounds of pressure, and operate down to 14 degrees Fahrenheit (more on these in the performance section). Also on the front is the flash, an LED illuminator for focus, and a two-pinhole microphone. The logos and nomenclature were very subdued in our stainless version. It looks rugged and definitely stands apart from the competition. Just have a cloth handy, since fingerprints really stand out.

On the top you’ll find the shutter, a power button, and an underwater sensor, which will tell you how deep or high you are when engaged. On the right side is a compartment with a sturdy lock for the multi-use connector (for charging the battery, watching images on a TV or transferring photos and videos to a PC). Below it is a small speaker.

The back also has a rugged look, with sturdy metal keys and a quality 2.7-inch LCD screen rated 230K pixels. The monitor worked well in a variety of lighting situations, including direct sunshine. The controls are similar to those found on almost every point-and-shoot digicam. On the top right are the wide/tele keys and below them is a mode dial. In keeping with a big trend for 2009, there’s an intelligent auto option, where the camera decides the proper settings for the subject it believes is in front of it (sports, portrait, landscape and so on). Strangely, the camera icon, which typically means auto, is actually P for program automatic exposure. Here you can change the ISO, white balance and shadow adjustment; in iAuto, you can’t adjust anything, it’s totally aim-and-forget. You cannot change shutter speed or aperture in any setting, so if you’re looking for these controls pass this one by. Other dial options include SCN for scene modes, which include several for underwater shots, movies (only 640 x 480 at 30 fps), playback and beauty. This is a strange one: The camera picks a face, and smoothes that countenance, creating a 2MP still. Forgive us but something got lost with this one in translation during the trip from Japan to the States.

Below the mode dial is the classic four-way controller with center set button. We don’t know why Olympus duplicated playback here as well, but there’s delete, menu and display (no grid lines, unfortunately). On the bottom of the made-in-China camera is a tripod mount and a compartment for the battery and xD picture card slot.

Along with these controls, the camera also features something called tap control, which allows users to touch parts of the 8000 to engage select commands. It’s nothing like an iPhone touch-screen (more in the performance section).

The Tough-8000 comes with everything you need other than the memory card – body, battery, wrist strap, A/V and USB cable plus an AC adaptor for recharging the battery in-camera. You also get an 86-page printed owner’s manual and Olympus Master 2 software for handling files on CD-ROM along with a microSD card adaptor if you want to use that media instead of xD.

Once the battery was charged and date set, it was time to give the Tough-8000 some punishment – within the limits of our geography.

source:i4u.digitaltrends.com

Fujifilm Camera

Fujifilm FinePix S100FS Review

Review based on a production Fujifilm FinePix S100FS

For many years, consumers wanting more control and range than a compact but lower weight and cost than a DSLR have been able to buy 'bridge' cameras, which look a lot like DSLRs but do away with the bulky, expensive mirror assembly that defines an SLR. They have traditionally had smaller sensors which allow long zoom lenses to be created in a relatively smaller space.

However, in recent years, more manufacturers have started to compete at the bottom end of the DSLR market with slimmed-down offerings at ever-more aggressive prices. This has left the bridge camera in a tight spot - why buy a DSLR-like camera if you can nab the real thing for around the same money? Until recently, it appeared to be a question with no answer: most bridge cameras shrank from the challenge and began to look and feel more like compacts with an absurd zoom on the front. Fujifilm's fully-featured S9100, launched back in August 2006 disappeared from the market without any sign of a replacement.

Until the announcement of the Fujifilm S100FS, that is. And it's an interesting package: one of the largest sensors we've seen in a non-DSLR for many years, a lens covering a 14.3x zoom range (that, importantly, starts at a usefully wide-angle 28mm equivalent), and the eighth generation of Fujifilm's Super CCD sensor technology. There's some photography-related features that have been added too, such as presets designed to mimic the behavior of specific Fuji films and a dynamic range expansion mode.
Headline features

* 14.3X optical zoom (28-400mm equivalent)
* 2/3" sensor with 11.1 million effective pixels
* Eighth generation Super CCD HR sensor
* 2.5" tiltable LCD screen
* Film simulation modes (imitate the behavior of Fuji films)
* Dynamic range expansion mode
* Exposure, dynamic range and film simulation bracketing

Fuji Camera

Fujifilm FinePix F60fd Overview

by Andrew Alexander and Mike Tomkins

The Fujifilm FinePix F60fd is based around a seventh generation 1/1.6-inch Super CCD HR image sensor with twelve megapixel resolution coupled to a Fujinon-branded 3x optical zoom lens that offers a range from a rather tight 35mm wide angle to a 105mm telephoto. The image sensor is mounted on a movable platter, allowing for sensor-shift type image stabilization. ISO sensitivity ranges up to a maximum of ISO 1,600 equivalent at full resolution (3,200 at a reduced five megapixel resolution, or 6,400 at three megapixels or below). The Fuji FinePix F60fd's rear panel offers no optical viewfinder, instead opting solely for a large 3-inch LCD display with 230,000 dots of resolution.

Following in the footsteps of the past F50fd model, the Fujifilm F60fd features face detection as its "fd" designation might imply. The Fuji F60fd has a third-generation implementation of this feature, capable of detecting up to ten faces in a scene in just 0.036 seconds. The angle at which the camera can detect a face has been further improved, with the company stating that the F60fd can now handle faces even at a 90 degree side profile, and even when the face is turned on its side or completely upside down. The face detection system is linked to both the autofocus and autoexposure systems, and to post-exposure red-eye removal.

The Fujifilm F60fd offers a new Scene Recognition Auto mode which is capable of automatically detecting one of four different scene types, and then selecting the scene mode as appropriate: Portrait, Landscape, Macro, or Night. Focusing modes in the Fuji F60fd include both Multi or Center as well as the aforementioned Face Detection. Shutter speeds range from 8 seconds to 1/2,000 second, and apertures from f/2.8 at wide angle or a rather dim f/5.1 at telephoto to f/8.0 when stopped down.

Perhaps unusually for a compact camera these days, the Fujifilm F60fd offers a fair range of manual controls, including the ability to shoot in aperture or shutter-priority modes, as well as manual control of white balance and ISO sensitivity. Thirteen scene modes give some control over the look of images without the need to understand shutter speeds, apertures and the like, and a high-speed burst shooting mode offers five frames per second for up to twelve frames, the tradeoff being that this is achieved at a reduced three-megapixel resolution. The Fuji F60fd is also capable of recording VGA or QVGA videos with sound, using the QuickTime Motion JPEG format.

The Fujifilm FinePix F60fd stores its images on SD or SDHC cards, xD-Picture Cards, or in 25MB of built-in memory, and draws power from an NP-50 lithium-ion rechargeable battery. Available from September 2008 with pricing of about $300, the Fuji FinePix F60fd comes in silver and black body colors.

source:imaging-resource.com